The two-part main theme from the first score is back, and joining that theme we get a family reunification theme, a villain theme, a two-part theme for Tabitha, and a theme for baby Tina. As they did for the first film, Zimmer and Mazzaro have crafted a fun, large, orchestral score full of themes that get dozens of variations. This is his third time sharing composer credit with Zimmer after the first Boss Baby and the 2020 SpongeBob Movie: Sponge on the Run. Mazzaro has been with Remote Control for nearly a decade. Zimmer and his Remote Control group have been working with Dreamworks Animation from their first film.

Hans Zimmer and Steve Mazzaro also returned to score the sequel. It’s not exactly intellectual cinema, and the whole idea of a sequel kind of undercuts the frame of the first film, but it has a lot of laughs for parents and kids, and Baldwin, Marsden, and Goldblum (at his Goldblummiest) are clearly having a great time. The film has had mixed reviews from critics.

Alec Baldwin reprises his role from the first film, and James Marsden, Amy Sedaris, Ariana Greenblatt, and Jeff Goldblum join the cast as grown-up Tim, Tim’s children, and the villainous Armstrong respectively. Tom McGrath returned to direct the sequel. Armstrong who runs Tabitha’s school, and who is bent on enslaving all parents so that children can be free. It turns out that baby Tina is a boss baby like her uncle Ted was, and has been tasked with bringing the brothers back together again and stopping evil Dr.

Younger brother Ted has become a successful businessman, but work keeps him from having any personal connections with his brother’s family or anyone else.

Older brother Tim has had two children of his own, Tabitha and Tina. Dreamworks’ The Boss Baby: Family Business takes place after Tim and Ted Templeton (the characters from the first Boss Baby) have grown up and grown apart.

The boss movie soundtrack